Exhibitions
An Unfinished World
Foam, Amsterdam
23.01. – 23.04.2025
Assemblages
Les Rencontres de la Photographie, Arles
03.07. – 24.09.2023
Forever Saul Leiter
Bunkamura, Tokyo
09.01. – 08.03.2020
Kunstfoyer der Versicherungskammer
Kulturstiftung Munich
05.06. – 15.09.2019
Fotografie Forum Frankfurt
13.12.2014 – 01.03.2015
Kunst Haus Wien
31.01. – 26.05.13
Haus der Photographie, Deichtorhallen Hamburg
03.02. – 15.04.2012
Haus der Photographie / Deichtorhallen Hamburg Saul Leiter Retrospektive
Saul Leiter (1923–2013) has only in recent years finally received his due as one of the great pioneers of color photography. This can perhaps be attributed to the fact that Leiter saw himself for a long time mainly as a painter. After coming to New York in 1946, he exhibited alongside Abstract Expressionists like Willem de Kooning before beginning in the late 1940s to take black and white photographs. Like Robert Frank or Helen Levitt, he found his motifs on the streets of New York, but at the same time was visibly interested in abstraction. Edward Steichen was one of the first to discover Leiter's photography, showing it in the 1950s in two important exhibitions at New York's MoMA. Back then color photography was regarded as "low art," fit only for advertising. Leiter accordingly worked primarily as a fashion photographer, for magazines such as Esquire and Harper's Bazaar. Nearly 40 years would go by before his extraordinary artistic color photography was rediscovered.
This long-awaited new edition of the book, first published to mark the major retrospective of Leiter’s work at Haus der Photographie, Deichtorhallen Hamburg in 2012, features, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks.
"As a book for a retrospective, Saul Leiter shines. The book presents the photographer's work in probably the best possible way, with many example photography and essays, all of which are very much readable and informative. [...] Highley recommended." (Joerg Colberg, Conscientious.com)
Cloth hardcover
with banderole
22 x 26,4 cm
296 pages
155 color and b/w illustrations
German, English
Available
ISBN 978-3-86828-258-0
2012
Artists:
Editors:
Ingo Taubhorn, Brigitte Woischnik
Product information "Haus der Photographie / Deichtorhallen Hamburg"
Saul Leiter (1923–2013) has only in recent years finally received his due as one of the great pioneers of color photography. This can perhaps be attributed to the fact that Leiter saw himself for a long time mainly as a painter. After coming to New York in 1946, he exhibited alongside Abstract Expressionists like Willem de Kooning before beginning in the late 1940s to take black and white photographs. Like Robert Frank or Helen Levitt, he found his motifs on the streets of New York, but at the same time was visibly interested in abstraction. Edward Steichen was one of the first to discover Leiter's photography, showing it in the 1950s in two important exhibitions at New York's MoMA. Back then color photography was regarded as "low art," fit only for advertising. Leiter accordingly worked primarily as a fashion photographer, for magazines such as Esquire and Harper's Bazaar. Nearly 40 years would go by before his extraordinary artistic color photography was rediscovered.
This long-awaited new edition of the book, first published to mark the major retrospective of Leiter’s work at Haus der Photographie, Deichtorhallen Hamburg in 2012, features, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks.
"As a book for a retrospective, Saul Leiter shines. The book presents the photographer's work in probably the best possible way, with many example photography and essays, all of which are very much readable and informative. [...] Highley recommended." (Joerg Colberg, Conscientious.com)
Cloth hardcover
with banderole
22 x 26,4 cm
296 pages
155 color and b/w illustrations
German, English
Available
ISBN 978-3-86828-258-0
2012
Artists:
Editors:
Ingo Taubhorn, Brigitte Woischnik
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