Exhibitions
Museum für Konkrete Kunst Ingolstadt
09.11.2014 – 22.02.2015
Kunstraum Alexander Bürkle, Freiburg
22.03. – 21.06.2015
Museum für Konkrete Kunst Ingolstadt Einknicken oder Kante zeigen? Die Kunst der Faltung
Folding has always been an important motif in non-representational art – and also a central technique. The relinquishing of central perspective in Cubism and later in Constructivism led to objects being broken up into facets and fragments in both painting and sculpture and depicted with their edges and fractures. In the meantime, not only paper and textiles are folded in art, but also metal, plastic, and ceramics – and even the canvas itself. In photography and film, the reproduced fold is often used as an illusionist deception. This catalog focuses primarily on contemporary artists whose works elevate the fold to a theme in its own right, thus touching on fundamental issues in Concrete and constructive art. Over 40 international artists demonstrate surprising, sensual, technical, or even comical aspects of folding. Artists Kirstin Arndt, Miriam Böhm, Thomas Chapman, Mariana Castillo Deball, Stefan Eberstadt, Christiane Feser, Eberhard Fiebig, Tibor Gayór, Hermann Glöckner, Tamara Grcic, Terry Haggerty, Erich Hauser, Samuel Henne, Ewerdt Hilgemann, Hösl & Mihaljevic, Martina Klein, Schirin Kretschmann, Peter K. Koch, Camill Leberer, Alf Lechner, Alexandra Leykauf, Dora Maurer, Olaf Metzel, Ingo Mittelstädt, Alison Moffett, Ben Muthofer, Johanna von Monkiewitsch, Sara Pfrommer, Michael Reisch, Hanns Schimansky, Simon Schubert, Rainer Splitt, Brigitte Stahl, Natalia Stachon, Katja Strunz, Friedrich Teepe, Timm Ulrichs, Peter Weber, Albert Weis, Denise Winter, Haegue Yang, Annett Zinsmeister
Hardcover
24 x 28 cm
208 pages
133 color illustrations
German, English
Out of print
ISBN 978-3-86828-541-3
2014
Editors:
Amely Deiss, Julia Galandi-Pascual, Simone Schimpf
Product information "Museum für Konkrete Kunst Ingolstadt"
Folding has always been an important motif in non-representational art – and also a central technique. The relinquishing of central perspective in Cubism and later in Constructivism led to objects being broken up into facets and fragments in both painting and sculpture and depicted with their edges and fractures. In the meantime, not only paper and textiles are folded in art, but also metal, plastic, and ceramics – and even the canvas itself. In photography and film, the reproduced fold is often used as an illusionist deception. This catalog focuses primarily on contemporary artists whose works elevate the fold to a theme in its own right, thus touching on fundamental issues in Concrete and constructive art. Over 40 international artists demonstrate surprising, sensual, technical, or even comical aspects of folding. Artists Kirstin Arndt, Miriam Böhm, Thomas Chapman, Mariana Castillo Deball, Stefan Eberstadt, Christiane Feser, Eberhard Fiebig, Tibor Gayór, Hermann Glöckner, Tamara Grcic, Terry Haggerty, Erich Hauser, Samuel Henne, Ewerdt Hilgemann, Hösl & Mihaljevic, Martina Klein, Schirin Kretschmann, Peter K. Koch, Camill Leberer, Alf Lechner, Alexandra Leykauf, Dora Maurer, Olaf Metzel, Ingo Mittelstädt, Alison Moffett, Ben Muthofer, Johanna von Monkiewitsch, Sara Pfrommer, Michael Reisch, Hanns Schimansky, Simon Schubert, Rainer Splitt, Brigitte Stahl, Natalia Stachon, Katja Strunz, Friedrich Teepe, Timm Ulrichs, Peter Weber, Albert Weis, Denise Winter, Haegue Yang, Annett Zinsmeister
Hardcover
24 x 28 cm
208 pages
133 color illustrations
German, English
Out of print
ISBN 978-3-86828-541-3
2014
Editors:
Amely Deiss, Julia Galandi-Pascual, Simone Schimpf
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